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Our Story Begins

New and Selected Stories

ebook
1 of 1 copy available
1 of 1 copy available
“One of our most exquisite storytellers” (Esquire) gives us his first collection in over a decade: ten potent new stories that, along with twenty-one classics, display his mastery over a quarter century.
Tobias Wolff’s first two books, In the Garden of the North American Martyrs and Back in the World, were a powerful demonstration of how the short story can “provoke our amazed appreciation,” as The New York Times Book Review wrote then. In the years since, he’s written a third collection, The Night in Question, as well as a pair of genre-defining memoirs (This Boy’s Life and In Pharaoh’s Army), the novella The Barracks Thief, and, most recently, a novel, Old School.
Now he returns with fresh revelations—about biding one’s time, or experiencing first love, or burying one’s mother—that come to a variety of characters in circumstances at once everyday and extraordinary: a retired Marine enrolled in college while her son trains for Iraq, a lawyer taking a difficult deposition, an American in Rome indulging the Gypsy who’s picked his pocket. In these stories, as with his earlier, much-anthologized work, he once again proves himself, according to the Los Angeles Times, “a writer of the highest order: part storyteller, part philosopher, someone deeply engaged in asking hard questions that take a lifetime to resolve.”
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    • Publisher's Weekly

      Starred review from December 3, 2007
      Wolff's first story collection, In the Garden of the North American Martyrs
      (1981), was a major salvo in the short story renaissance that included Raymond Carver. The 10 spare, elegant new stories here, collected with 21 stories from Wolff's three previous collections, are as good as anything Wolff has done. In most, there is a moment of realization, less a startling epiphany than a distant, gradual ache of understanding, that changes how the character looks at the world. The retired, 41-year-old female Marine of “A Mature Student,” compares her female professor's experiences in Communist-era Prague and her own son's service in Iraq. “Deep Kiss” movingly chronicles the fractious results when a teenaged boy, infatuated with a promiscuous classmate, neglects to bond with his dying father. A hilarious description of a brash, ignorant thug in “Her Dog” shows Wolff's gift for demotic speech. In an author's note, Wolff says that since he has never considered any of his stories “sacred texts,” he has edited some “clumsy or superfluous” passages in earlier works. In all the stories, Wolff expertly uses irony and empathy to explore facets of contemporary life.

    • Booklist

      January 1, 2008
      A long-recognized master of the short story genre, Wolff brings together 21 favorite stories culled fromthree previous collections and adds, for this occasion, 10 new stories never before gathered in book form. This retrospective of his three-decades-long careertestifiesto the short story being his natural agent for personal expression. The opening story, In the Garden of the North American Martyrs, a widely acknowledged masterpiece, satirizesacademe, specifically the pretensions inherent in professorial posturing, at the same time sensitively understanding a college professor who gets her quiet revenge against merciless colleagues. Wolffs understanding of the tender aspects of charactersurfacesin another masterpiece, SoldiersJoy, which is set on a military base, and, in parallel with the previously discussed story, pecking order rules the day and everyones life.In any story, in all of them, Wolff dexterously probes, in immaculately clear prose, the coreof ordinary peoplespassions and vulnerabilities.(Reprinted with permission of Booklist, copyright 2008, American Library Association.)

    • Publisher's Weekly

      March 31, 2008
      Wolfe's latest round of philosophical and thought-provoking short stories is a rousing collection that spans a wide variety of genres and time periods. Anthony Heald brings the stories to life with vigor, offering fresh voices and complicated, flawed characters, each as original and believable as the last. Heald has a knack for performance, gifting each tale with his flare for theatrics while never trespassing outside of his range in an attempt to impress. His familiar voice abounds with colorful emotions and a certain melancholic ache. Listeners step inside all 21 tales and see the world as Wolfe himself must have: heartbreaking, hilarious and even a little scary at times. A Knopf hardcover (Reviews, Dec. 3, 2007).

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